Headmistress Powell

July 30, 2010 3:59 AM
Every four years Sonora would repeat the same Midsummer celebration. This year was, inevitably, the fair. However, unlike the previous fair which had been primarily student-lead, this year left current students free to enjoy organised activities. During the evening, there would be a Muggle-influenced fun fair with rides, food, and game booths. During the daytime, current students would have the opportunity to interact with alumni - Sonora students of previous years who had volunteered to return and share their post-Sonora experiences. For the older years this might offer an insight into future career options, or a first-hand account of their prospective colleges. For the younger years it would be a demonstration of what they could achieve, or what magic, more generally, could do.

The morning of the Midsummer fair saw the Headmistress at the Head of the Cascade Hall (where tables and chairs had been arranged in its corners, leaving the central space clear of furniture, but currently full of students), having already greeted the returning alumni – some of whom were familiar to Sadi, some less so. Many would be familiar to the current students, too, particularly to the older years, who may even have shared classes in the past. It was nostalgic to see so many faces return, and it offered the Headmistress a chance to wonder what her current pupils would be doing by the time the next fair rolled around.

“Good morning,” Headmistress Powell greeted the collection of students, past students, and staff, “and welcome to the Midsummer Fair. During the day you will have the opportunity to discover how Sonora alumni have filled their time since graduating. Talks and presentations will be taking place according to a schedule - which you can find displayed at various locations throughout the building – in the gardens, on the pitch, in the library, and here in the Hall.” Spreading the alumni about provided them with most space and privacy, and the opportunity for students to learn outside the classroom, which Sadi believed was always beneficial.

“A lunch buffet will be served here in the Hall, and during the evening the Quidditch Pitch will be transformed to offer a range of entertainment opportunities.” This had been planned to include rides such as a Griffin-go-round and the more terrifying Wronksi Feint, assorted game booths for prizes, and unhealthy food stuffs such as cotton candy and burgers. It was an opportunity for everyone to relax, for the alumni to catch up, and to celebrate the end of another term at Sonora. Sadi couldn’t believe how quickly this year had gone; this evening she would be announcing next year’s Head Boy and Girl. First, though, she had planned a day of activities that would hopefully be fun and informative. “Arrive on the pitch at six o’clock to join me in opening the festivities. Until then, enjoy your day.”

With that said, and a smile to the assembled crowd, Sadi cancelled the charm that had increased the volume of her voice, and was available to direct people as necessary to the nearest schedule (helped by the Head Boy and Girl, and the prefects, who were in charge of taking care of the returning students). Each schedule was identical, and read:

'In the library
Zack Dill will discuss his education in astrophysics, astronomy and arithmancy with small groups;
Rosalind Rabindra will discuss her experiences of married life with small groups;
Anne Wright with discuss her prospective career in spell development with small groups.

In the Cascade Hall
Morgaine Carey will conduct a presentation on Healer training;
Mia Kerova will discuss her Charms apprenticeship with small groups;
Geoffrey Layne will conduct a presentation on further study of potions;
Helena Layne will conduct a presentation on her work at the Department of Magical International co-operation;
Blake Taylor will conduct a presentation on his current position of Transfiguration professor at Sapient University of Magic.

In the Gardens
Dalila Bastet will discuss her experiences of traveling with large groups;
Catherine Gardiner will discuss her experience of Married Life with small groups;
Saul Pierce will discuss his experiences in the entertainment industry to large groups;
Earl Valentine will discuss study of Art at Sapienti University of Magic to large groups.

On the Quidditch Pitch
Stephen Baxter and Geoffrey Spindler will discuss their enterprise in broomstick engineering to large groups.

Feel free to talk to as many alumni as you choose. If you have any further queries, speak to a member of staff.'
Subthreads:
0 Headmistress Powell Midsummer Fair Part I 0 Headmistress Powell 1 5


Mia Kerova [Fair]

July 31, 2010 12:07 PM
OOC: It's not as long as it seems. ;) Blame my history class.

IC: What am I doing here? Mia thought as she tirelessly plucked at the laced hem of her purple blouse and flattened out the gold rose design to the side, distracted from setting up her space in the ever magnificent Cascade Hall during her prep time. Her mind was racing with the tumult of the nostalgic wagon ride, and the names on the schedule of events, and whether or not to keep on the black, short sleeved cropped blazer. (Why did clothing matter when it was mostly shrouded in a robe!?) When she received the invitation to Sonora’s Midsummer fair, first she was ecstatic, then terrified, then homesick, then nervous. Lather, rinse, repeat. She was almost surprised that anyone there remembered she existed. And who was she to tell students about her achievements when her life had really only just begun. Twenty-one years old wasn’t enough time to brag.

You were a Prefect. And you got great grades. And you were a good friend to the people you met. So you had some keep-in-touch issues. Big deal! Give yourself some credit, girl! You know better.

She certainly did know now. She clutched the small diamond promise ring that once sat on her hand and now hung from a necklace chain—the actual promise now on her ring finger—and her mind strayed to the bouncing three and a half year old probably terrorizing a Prairie Elf somewhere with his giddiness and backpack of games. She missed having him in her lap already, but it was really for both of their peace of mind that he stay unseen. For now.

Mia put the finishing touches on her display for the students interested in her year and a half of charmed traveling. The floor became a colorful map of the world, just translucent enough to catch the reflective marble floor underneath. It had always been one of her favorite bits of magic at Sonora. The chairs were set up in a semi circle around the map. Behind Mia, a screen hung in mid air, and lining it were two columns of souvenirs. She walked the perimeter of the makeshift classroom to make sure everything was visible at all times.

All set.

Mia conjured a chair along the side that mimicked her favorite cushioned rocking chair at home. She pulled out a ball of yarn and two metal rods from her pack, and waited, rocking and knitting herself calm the muggle way. (That had become her lifeline in the first year with Leland. Idol hands and all that.) As a muggleborn witch, for years she tried to balance both worlds, academically and beyond, and finally she felt confident in her abilities to incorporate both worlds.

Her first scheduled hour came around, and the students interested trickled in. A fit of shyness came about all over again, making her wonder, as she had many times since drinking that bubbly potion, how she was sorted into Pecari. The feeling passed, and Mia smiled at the familiar and new faces with a wave. Her reasoning always led her to believe she was put in Pecari as a cap so the rest of her House didn’t explode with its own charisma.

Taking her wand from her ever conveniently charmed jean pocket, Mia stood and made her knitting vanish with the smallest pop! in the air. She greeted the students, her right hand twirling her wand behind her back like a baton.

“Hey,” she said with a genial smile. “I’m Mia Kerova, former Pecari Prefect. So, I take it you’re here because you’re kind of interested in charms, or you’re here to see my pretty face. Both are fine reasons.” She put her hands on her slight waist and brushed her brown highlighted waves over her shoulder. The she quickly dropped the persona. “Nah, I’m just kidding. But seriously, welcome, and hi again to some of you who might remember me from four years ago. Wow.” She paused for a moment.

“Anyway, I guess I should talk. Then the floor’s open to any questions. Um, when I was a student—” she paced along the map towards the North America design that flashed as her purple ballet flat touched it, “I didn’t do badly in my classes, but you know how you just have a niche? That thing you do really well, and despite what your parents might say, that’s what you want to involve your career and life around? Well, Charms was mine. If there was anything I was good at, it was picking up my wand and casting a spell to make something incredible happen exactly as I imagined it.

“So needless to say, the one thing I knew for sure as a student was that when I graduated, I wanted to be involved with spells and making things happen. How I was going to do that was a mystery—still kind of is—but I’m definitely on a nice road right now. After school—” Dates were entirely irrelevant, she concluded, “I enrolled in Princeton University in New Jersey with a nearly full scholarship, which I didn’t immediately know had a magic campus so research is important, and through there I was able to go on a Charms apprenticeship abroad. It was life changing. I thought you might like to see some answers I found to the ever elusive question, ‘Why do we need to learn this stuff?’”

Mia flicked her wand, and the screen hummed into life, projecting the first title: Charms in the Good Ol’ U.S of A! Beneath it were pictures of Mia and her classmates in lectures and workshops for her Beginning Charms Field Study class. Each had a caption naming the spell in colorful block letters and helpful arrows like the scrapbooks she loved and that earned her some extra money. In the center was her professor, Dr. Leonard Hadik, a handsome man for his years, renowned for his contributions to different magic research magazines. She pointed all of this out, and she noted her favorites of the pictures displayed. There were sophisticated charms for maintaining an ecosystem in an environment otherwise hostile—that should have sounded familiar—and charms like decorating for a special occasion with a bottled monsoon or the Aurora Borealis. She was happy to show any curious students the rest afterwards.

“So, early on,” Mia said, “Dr. Hadik taught me that there’s a place for everything, and everything in its place, and Charms has a place for everything and puts everything in its place. Meaning, through your day you can point out countless places where these spells have some affect on your lives as wizards and witches. They pop up everywhere. Then, when I went abroad—” A carefully doctored image appeared of her and Dino holding the portkey, the same broken beaded necklace in the column, in a wrapping. “—I was introduced to Charms of an entirely different sort that I never would have imagined or fully understood if I hadn’t experienced it for myself, and I want to share that with you as best as I can. So, welcome to Bali, Indonesia.”

The map peeled off of the floor into a spinning globe, and a sheet of light blue, mimicking rapid air travel, created a box around their space, unseen from the outside. When the globe slowed to a stop, the islands of Indonesia glittered in yellow, Bali, in particular, stood out. The map dripped down to carpet the floor again, and the blue became a scene as real as if they were all sitting in the small encompassment. The air warmed and went a little hazy with kicked up dust. The trees in the distance were thin, and natives walked by, going about their daily chores. Mia scuffed a little heart into the dust, smiling at her work. And none of it affected more than the students’ imaginations as they would soon realize the way Mia’s shoe was still spotless.

The screen and artifacts still hung behind her, and against the ground of the arena was the world map. The second artifact lowered into Mia’s hand. It was a mask with an open mouth expression, revealing the smooth row of teeth until two fangs jutted down. The eyes were wide on the reddened face, and atop its head was an ornate golden crown.

“With Dr. Hadik,” Mia said, standing on what appeared to be the bottom of an arena of benches, speaking over the now seemingly wider gap of a dusty performance space, “one thing I learned in particular was how cultural charms can be. Culture varies between states, countries, continents, and its constantly changing. Magic changes with it, and each place has different uses and styles for charms. This is a ritual performed in Bali. It’s the battle between Rangda, the evil witch, and the hero, the Barong.”

As she spoke, a figure entered from both ends of the arena, and Mia’s memory filled in more people in the seating. One performer wore the colorful mask of the witch, teeth long and curled, fingers doubled in length, wild straw colored hair to her feet, and in a costume of mostly red, black, and white stripes. The second player was actually a group of men filling the long, furry, heavily gold laden costume of the Barong. Its mask matched the one in Mia’s hands. As the two began their warrior dance to the beating of unseen drums, Mia continued.

“The story goes: if the Barong wins, the village is cleansed. If he loses, the men in the suit of the Barong go into a kind of trance and fall on their swords. Only the pure of heart won’t be impaled.” Rangda overwhelmed the Barong in battle, and, as Mia said, the men came out from the suit with blank faces, shaking. They upturned their swords and kneeled before them. Mia paused the ritual before any men fell forward.

“Whether you believe or not is your own choice. When wizards are involved, the charm on the swords decides their fate. It’s not a protection spell like Protego. It’s actually more of a—well, this will sound weird, but it’s like the charm that can waterproof your roof. It’s similar in that, for the ‘pure of heart’, this spell becomes a barrier, not as unforgiving as Protego, but more—intimate so to speak. When I saw it performed, those men really fell hard on their swords. Harder than you should with a spell like that, but they actually weren’t hurt. Pure of heart? Maybe. It was still awesome. Don’t ask me to explain when muggles do it.” She laughed.

“Anyway, before we move along, questions, anybody?”
0 Mia Kerova [Fair] Charms Around the World (Part 1 of 3) 0 Mia Kerova [Fair] 0 5


Mia Kerova [Fair]

July 31, 2010 12:10 PM
“Okay, so the next place I want to show you is where I saw clearly how charms are connected to not just the secular, but to the religious. For that, we move over to Asia under the guidance of Dr. Wen Liu.”

Again, the map rose and spun for a few seconds, stopping with Asia facing full front, and China and Japan flashed in red and blue before the map sank to the now grassy floor. The “walls” dripped into a forest scene, and Mia seemed to pace across a clearing in a pine forest. On the screen was a picture of her and Dino with the portkey to China, a stained, childish cutout of a sleeping ghost. It was also the third artifact displayed.

“One of the Chinese religions we looked at was Taoism—spelled with a ‘T’; pronounced like a ‘D’—” It appeared on the screen, “and this involves a belief in ancestor worship, miracle making like soothsaying—Divination—and meditation to help communicate with spirits and nature and feel the rhythm of the world. I can tell you right now, I never felt calmer in all my life than in the months that I spent in China and Japan.”

Mia sat in the grass and crossed her legs, so glad she thought to wear her nice jeans instead of a skirt. It also brought back the normalcy of her petite stature. “We all know ghosts are here. It’s almost a second nature thing for us. But remember, different cultures handle different aspects of life in different ways. To the Taoists, these are beings to be revered, and the ghosts really appreciated it from what I saw.” A hazy figure of a passed warrior peeked through one of the pines around the group, just a memory of Mia’s, and it sat overhead and watched the lecture. “What I’m focusing on for you guys are some of the spells used when the wizards and witches are meditating.”

Mia summoned her pack from beside her rocking chair, and she pulled out a cage with a rubber ball in it. Thankfully, transfiguration was a close second favorite of hers. With a calculated twist and tap motion, a very active hamster scurried about the cage. Mia spoke the Chinese incantation for the demonstration’s purpose and a rosey spark of light zipped into the cage. The hamster stopped running in the wheel, and crawled out to sit right against the bars nearest Mia. If animals could smile, that hamster would.

“The spell is one similar to what some CATS and RATS takers probably know here in America. It’s a calming spell, but their purpose for it is much different than ours, and it’s a powerful one with some serious dangers if it isn’t cast properly. The same goes for the next spell, but it’s even more intense, and I don’t feel comfortable casting it on anyone or anything. I’ll just show you what I observed as I was taught about Zhan Buddhism, another religion in China, with an emphasis on a transcendental connection with meditation. It’s about rising above and beyond yourself—seeking Nirvana—and becoming one with the universe.”

On the screen, a few pictures were displayed similarly to the ones of her and her classmates, with captions for the incantation and the effect on those people. Mia sat beside Dr. Liu, a younger, but brilliant man, as a leader of that religious ceremony performed the spell that calmed everyone to a state where, as Mia recalled to the group, she forgot she was breathing. There was such calm bliss and she, herself, didn’t matter so much. It literally felt like taking a step out of her skin. The others who believed used it as a guide to their Nirvana. Mia used it as the greatest stress relief she could ever hope for. Just watching it again shifted her mood a bit.

The next stop was Japan, as the next image of Mia and Dino and their crushed origami portkey foretold. She reached across the grassy map and tapped Japan with her wand. The scene zipped along, out of the clearing of trees, across grassy plains, through busy, congested streets, over mountains, and across the sea until Mia and her students were in the audience of a playhouse. To the left was a long, raised walkway, and up front was a roofed, shrine-like stage that met the walkway. Just above the stage was Mia’s screen that used those blocky jittering letters to point out the different parts of the Noh stage, and the pictures around it showed Mia and her professor in the audience, serene faced as they had been under the meditative spell.

“In Japan, Noh theatre uses a similar charm on the actors, but with a twist. Rather than calming the actors, it helps create this transcendental feeling within the audience. I wish I had the three plus hours to show you a Noh play, which you’d love even if you don’t understand what they’re saying, but I don’t, so enjoy these pictures.” And beneath the pictures, the performers of Mia’s memory went through the nearly inconceivable motions of a Noh play, so subtle to the rhythmic chanting, you almost didn’t realize the performer had moved until he was half way across the stage.

“Sticking with Japan, though, I learned that in some cultures, the incantation of the charm isn’t the important part. There’s a phrase in Japanese that relates to all of their art forms.” Mia flicked her wand, and the symbols in Japanese, and the American spelling of the sounds beneath it, appeared in the center over a cartoonish figure of a Japanese archer. “Jo, potential energy,” he strung his bow and pulled it back, “Ha, released energy” the figure released the arrow and it zoomed towards the target beneath the last syllable, “Kyu, expended energy.” The arrow struck with a wooden thunk! and Mia smiled as the bowman bowed and strung his next arrow for as long as the projection stayed up. “There’s also Ma, a pause or stillness.”

“This idea of energy of movement goes for their spellwork too.” With another flick, Mia wished she had thought that aspect through because her wrist was getting tired, another figure appeared, copying Mia’s movements. “Your wand at the ready is the potential energy.” Mia held her wand forward. “Casting the spell is the released energy. Accio!” The spell shot at the artifact at the top of the second column beside the screen and drew to her the familiar crushed origami crane that she held forward. “Getting your result is expended energy.” She tapped the broken bird and it flew back to its place. “And Ma is the moment you take to stop. To think or concentrate. Isn’t it peaceful?”

“The next stop showing this idea of movement more than mouthing, is India.” The map pulled away from the ground and benches, and the globe spun, only to rest an inch or two westward. She hadn’t thought that one through well either. The scene changed to the front steps of the Taj Mahal. Of course she stopped at tourist spots, and she learned a thing or three that the muggle tourists missed out on. At the top of the screen was the image of her and Dino with the chipped gilded bangle portkey. Beneath it were images of an Indian dance, foreshadowing her next topic.

“In this culture, movement is even more emphasized,” she said, indicating the images of the dancers. “You can see how very stylized and specific these movements are. Just look at the hands. See how exact their movements are? It needs to be just that. The term is mudras. They’re codified hand gestures, extremely specific. Go ahead. Try them.” Mia changed the screen and a few rows of images appeared in slow motion, showing just how exact and seemingly unreal the gestures were. Fingers were bent every which way, and even the simple ones were a strain. She emphasized this by attempting some of the gestures herself, and failing miserably. She laughed. “See? It’s hard. In that culture, children are taught these gestures from a very young age, before tendons and muscle have a chance to get lazy. So if it’s that hard, just imagine how it is in their spells. Those were some of the most difficult spells for me to learn, and I didn’t end up getting most of them before I left. That’s for the very advanced in charms. There are charms to help loosen your muscles, but even after that, you have to get these precise movements down. So when you do get it right, it’s amazing.”

The next set of images showed Mia and Dr. Liu training, blocky text and all, and very few of the shots were of her failures. She picked the funnier of the catastrophes that left flowers sprouting out of control in the classroom and a pigmy elephant stampede. Dino wasn’t entirely pleased when she insisted on keeping one. Leland had fallen in love with it.

“Alright, final stretch. Any questions? Am I going too fast? Am I speaking in tongues?”
0 Mia Kerova [Fair] Charms Around the World (Part 2 of 3) 0 Mia Kerova [Fair] 0 5


Mia Kerova [Fair]

July 31, 2010 12:13 PM
“Cool, so we’ve got—” Mia looked to her line of artifacts that had been guiding her lecture,”—two more stops. Okay, so, um, remember that analogy I made earlier about waterproofing your house? Well, there are Charms used in construction. See? You just can’t get away from them. It’s part of why they’re so great to study. There’s so much to learn and it’s all relevant.”

“The next place I want to show you is famous for its architecture. While I was there, we were looking into its history, and some incredibly elaborate designs came out of this place.” Mia summoned the next deactivated portkey a little slower, a dirty, patchwork cloth, and let it float down to the long tail of the European continent instead of placing it to see if she could hear any guesses before she said it aloud. When the material landed on Italy, the map lifted into the globe, spun over to southern Europe, and the walls flew them to the heart of the Roman Coliseum. The screen read in Italian, “Welcome to Italy!” right over the picture with the portkey as the other stops had in their respective languages.

“In Italy, while I was studying with Professor Giovanni De Clemente, one of the things we looked at was early structure design. When perspective was discovered in Italy in the Neoclassic Era, which is like, 1500s through 1700s, the performances they had for special occasions, Intermezzi, became ridiculously elaborate and beautiful.” Mia brought up images of these elaborate theatre sets and all of the drops, flats, and curtains involved, but marked them as simply as possible in her scrapbook text. She also took down her next souvenir—the small scale perspective design she created. It was a three sided wooden square only an inch thick, but when you looked through the front, it seemed to reveal a shoreline for miles. “Sorry that I keep jumping to performance. It was just really cool what I found out about those. And it connects to common construction too.

“Anyway, you can see how convoluted these structures are. If you’ve ever seen a play, scene changes are a breeze today. In neoclassical Italy, scene changes were ridiculous! Muggles figured out one way to make this happen. They used these pulleys and such. Wizards had the option to use spells to make things go. Charms could change the images on the flats, or make the scenery look like it’s moving, or whatever it wanted, but wizards felt the same need for huge spectacle. Again, it’s a cultural thing. So just like muggle inventions became bigger and bigger, so did the charms. These spells were getting more and more elaborate and more dangerous if something went wrong. But the effects were spectacular. These shows were a huge deal.”

Behind her, some animated scene changes took place side by side to show the muggle way—the tasking Chariot-and-pole method—and the magic way with ten tons of charms. Both left the little stick figures sweating. Some of the magical stick figures also had extra appendages from mistakes. So Mia had a little too much fun with her slideshow. Big deal.

“And the last thing,” Mia said, replacing the Italian artifacts, and stepping across the map on the ground again, “is really just for fun. You can count the practical uses for charms for forever and a day. It’s fun to see where people use charms for entertainment. It may have other uses, like in this case—well, let’s get there first.” Mia’s slippers had carried her back to Indonesia, but she also skimmed her wand over South East Asia. The globe reappeared and then lay flat with the indicated places lit up in white. The walls blacked out into a starry night on a grassy knoll.

“Welcome back to Indonesia and the Shadow Puppet theatre, also known as the Wayang Kulit.” Her screen showed pictures of the thin black puppets in use without the sheet blocking it so the students could see the details. Golden trims gave them designs according to their statuses. Different shapes of these mostly human-like puppets, whether they be round and squat, or svelte with wiry limbs, represented different characters of which there were five, as Mia and the screen explained. Refined nobles, aristocrats, warriors, ogres, and clowns.

“These performances have a dual purpose. They’re for the pleasure of the people, and the entire village will go to these performances. And they’re for the gods. What’s really cool about this is that there are close to a hundred puppets to use, about fifty per performance, the performances last for hours on end, well into the night and the next morning so the audience brings food and many always end up asleep, and for both muggles and wizards, there’s only one puppet master—or dalang to use the puppets and guide the gamelon orchestra behind him. He conducts them with his foot.” Mia pointed out the conducting baton between the toes of the dalang on the screen.

“What’s even cooler is that a wizard dalang may have the use of magic, but it’s still a lot of charms he has to control, and he still uses his foot!” Culture was a very powerful thing, and she hoped this was getting through to them since that was the focus on this round of field study.

Mia smiled at the images and then raised her wand. The map jumped up again, but instead of becoming a globe, it became a dummy that looked like the ceremonially garbed dalang in the images. She blanked the screen and moved it in front of the dummy. With another flick, her pack came over and she set it beside the dummy that began setting them up in rows like the dalang did, but with inhuman speed. Before long, a shadow puppet show was in progress. Mia took a few of the spare puppets and held them up beside the light of her wand, showing which went to which of the five categories. One of her personal favorites was the obese god that looked and acted funny, but if he was disrespected, he could make the character’s life a nightmare. Then she invited the students to hold and play with the puppets, showing them how to manipulate the dangling sticks, and then watch the puppet show up close or, as was customary—

“You can watch the dalang from behind the curtain too. It’s all a part of the show.”

Mia motioned to the other side of the screen where the dummy was busy telling a story through cut out and hinged puppets. She sat in her chair, and after letting them watch for a few minutes, she spoke for a brief interruption.

“So like I said, charms have a billion different uses, and the same use can be for a billion more reasons depending on where you are. As witches and wizards, you’re going to run into these charms anywhere you go. It’s just a fact of life. So it’s cool to be aware of what’s happening all around you and how it affects you. It didn’t seem that interesting at first, since on this trip I was mostly doing theoretical studies, but the professors I apprenticed under were incredible and so nice and so interesting. It was an amazing experience.”

“Questions? Comments? Missed anything? Want to know more about apprenticing? Want to plan a road trip with me?” She smiled at the group. Inwardly she breathed a sigh of relief. That was probably more than she had ever spoken in all her time at Sonora. Now she said what she wanted to say and the floor was open to questions.

Not bad, Mia.
0 Mia Kerova [Fair] Charms Around the World (Part 3 of 3) 0 Mia Kerova [Fair] 0 5